“Freedom, Movement, and Migration” on the National Mall
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Title might change. Cheap lazy steal from the documentary title ‘Heavy Metal Parking Lot.’
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I can't be a pessimist, because I'm alive. To be a pessimist means that you have agreed that human life is an academic matter. So, I'm forced to be an optimist. I'm forced to believe that we can survive whatever we must survive.
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His playbook for court is pure Roy Cohn.
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A film that started out to be a 10 minute short became a 44 minute documentary classic.
Full movie can be found at folkstreams.net/films/its-grits
Board membership.
Quintessential Adulting.
Jacob Lawrence, "Brownstones," detail, gouache on board, 31.5" x 73.25", 1958. Clark Atlanta University Art Museum; Gift of Chauncey and Catherine Waddell, WC45. © 2018 Jacob and Gwendolyn Knight Lawrence Foundation, Seattle/Artists Rights Society, New York.
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St. Martinville, LA
Love those trousers, then and now.
A long time ago, I piloted a vision into a national program for NMAAHC.
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Pandemic Times
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“Speak your mind, even if your voice shakes.”
Or, cracks. Or, catches. Or, when hot tears well-up from rage and frustration.
Bravo! Happy Hour
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Charlotte Capers led the Mississippi Department of Archives and history from 1955 to 1969. The Ladies’ Room in the photo is steps away from the Director’s Office. I’d argue, another indication of gendered space design as the Director was a woman when the structure was built.
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Annie travels to Palm Springs to say good-bye to her mother, Catherine.
Carmen battles New Orleans’s Road Home program.
Uncle Ray.
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Mom and Wilma Rudolph. Grandma’s backyard. Baton Rouge. 1961.
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